by Randall D. Larson
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1 August 2023
The percussive acousticality of the PLANET OF THE APES series may have never matched, musically, the originally and impact of Jerry Goldsmith’s score for the original 1968 feature. That said, though, the succeeding quartet of sequels nonetheless sustained an interesting development of the primitive nuances that Goldsmith launched. Rosenman’s score for BENEATH THE PLANET OF THE APES (released on FSM last year) took a darker and more feral edge, providing a suitable backdrop for the sequel’s mix of mutant humanity, simian malevolency, primitive awakenings, and leftover technology. Goldsmith returned for the third film, ESCAPE FROM THE PLANET OF THE APES (a 16-min OST suite appeared on Varese’s 1997 PLANET OF THE APES CD; a full score bootleg was also circulated a few years before that); echoing the film’s contemporary setting, Goldsmith’s music was more modern, instrumentally, while staying within the sparse musical conceptualization of the first film.