by Kirk Henderson
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14 Apr, 2022
It is really hard to understand why Malcolm Arnold's score to 1984 has become an orphan because even if it had nothing else going for it besides one of the composer's finest marches, that alone is reason enough for a re-recording. Beyond that, Arnold's effectively quirky score is gripping and imaginative. Perhaps the Orwell estate's dissatisfaction with the film and their subsequent unwillingness to see it re-released contributed to the unfamiliarity of the score. The US version is only available in illegal washed-out, splicy video copies, where not only is the picture bad, but the soundtrack is almost incomprehensible.