André Previn

André Previn 1929-2019

by Lawrence Morton 18 Apr, 2022
The biographical facts about André Previn are the sort that make for interesting publicity stories. He was born in Berlin in 1929 and came to America in 1938. He is the youngest musical director in the film industry, being only twenty-one years old. He was "discovered" by Jose Iturbi at a concert of the California Junior Symphony Orchestra. He is a triple-threat musician, working with distinction as pianist, composer and conductor, and in one or more of these roles he has had a hand in some twenty films at Metro-Goldwyn-Mayer Studios. His first album of recorded piano solos sold 52,000 copies. He has played at the White House. He has also played at Benny Goodman's, having been invited there recently to spend a friendly musical evening with the clarinetist and Gene Krupa. The trio is said to have steamed up the house with hot licks until the small hours. Previn's favorite authors are Somerset Maugham, Thomas Mann, Aldous Huxley, and Oscar Wilde. He will earn more than fifty thousand dollars this year. He was r

Kim

by Milton M. Kraus 17 Apr, 2022
André Previn must be congratulated for his masterful handling of the musical problems involved in this picture. Since KIM maintains an authentic atmosphere throughout, with scenes shot on location, and apparently no Hollywood "stock" shots inserted, it would have been entirely out of keeping to have had a "Hollywood" sound track accompanying the action. It is therefore a credit to Mr. Previn to have followed through along with the authenticity of the picture and to have used native music as background. Incidentally, no attempt is made to in any way "dramatize" this music. Rather, the restraint in this direction achieves this "dramatic" effect by contrast.

Reviews


by Ian Lace 01 Jul, 2023
André Previn's colourful jazzy score is full of vitality. Particularly vivid is the mordant characterisation and wicked wit and irony of the 'Ten Year Montage' where the CinemaScope screen is divided into three to show, simultaneously, the developing lives of all three soldiers: Kidd settling for a modest fast food career and a home life, Dailey climbing up the ladder of a seamy advertising career and Kelly as a small time fight fixer dallying with lots of women. The numerous dance numbers like the Drinking Montage and the Binge are also memorable, especially Kelly's exuberant number 'I Like Myself' in which Gene dances on roller skates.
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